Alphonso Thomas ’84

Alphonso Thomas ’84

Alphonso Thomas, Director of Engineering and Technical Management, Air Force Sustainment Center

Alphonso Thomas '84

I started Auburn in 1977 as a math major on a Navy ROTC scholarship and marched in the band. I also was with the Auburn Knights Orchestra.

 I dropped out after one quarter and enlisted in the Air Force as a musician (saxophone). After four years, returned to Auburn on an Air Force scholarship and earned my bachelor’s in Electrical Engineering (EE) in 1984 and was commissioned as an officer in the Air Force. Left active duty in 1992 and eventually returned to the Air Force as a Civilian in 1996. Earned my Masters in EE in 2004.

Fast forward, now I’m director of engineering for the Air Force Sustainment Center, which includes Robins AFB in Georgia, Tinker AFB in Oklahoma and Hill AFB in Utah. I have lived and worked at Maxwell AFB, Ala; Ramstein AB, Germany; Los Angeles AFB, Calif.; Hanscom AFB (near Boston), Mass.; Robins AFB, Georgia; Wright Patterson AFB, Ohio; Rome, N.Y.; Tinker AFB (near Oklahoma City), Okla.

Defying the Klan: Janie Forsyth McKinney ’70 and the Civil Rights Movement on her Doorstep

Defying the Klan: Janie Forsyth McKinney ’70 and the Civil Rights Movement on her Doorstep

They endured beatings, bombings, harassment and imprisonment—but they changed the Civil Rights Movement and demonstrated the power of individual actions to transform the nation.

Moments after escaping an attack by white supremacists on a Greyhound Bus, Anniston 1961

In 1961, Civil Rights activists organized by the Congress of Racial Equality rode interstate buses deep into the heart of segregated America to challenge local laws and customs that denied ordinary citizens basic freedoms because of the color of their skin. The 1960 Supreme Court Decision Boynton v. Virginia granted them the legal right to buy tickets for buses and sit where they’d like, but all were aware they would face violence and vitriol in the fight to end white supremacy.

One Sunday afternoon May 21, 1961, 13 ‘Freedom Riders’ boarded a Greyhound Bus in Washington D.C. for their inaugural mission to protest segregated busing practices in Southern states. On the way to Birmingham they were stopped just outside Anniston by a mob of angry white men.

Enraged by the Freedom Riders’ mission, they proceeded to attack the bus with pipes and boards, breaking windows and slashing tires. The driver managed to steer them free, but the bus was chased by a convoy of cars; driving on rims, he bailed in front of Forsyth & Son Grocery to flee on foot.

Surrounding the bus, the mob held the doors closed and threw an incendiary device through a broken window, filling the bus full of smoke. An explosion inside forced them to back off, giving the passengers inside a chance to escape, but they were met with slurs and fists as soon as they fled.

Watching it all from her front doorstep was 12-year-old Janie Forsyth McKinney ’70.

“It was a Sunday afternoon, Mother’s Day, and everybody was home from church,” said McKinney, now 68. “I was just watching, horrified, just wondering what in the heck was going on. I was just gonna watch, I didn’t intend to go out into it!”

But McKinney, in what she describes now as an out-of-body experience, reacted. Grabbing a bucket from inside her house, she took water and cups to badly burned Freedom Riders caught in the middle of the fray, still choking on smoke. Her trance-like state was a blessing in disguise–the bucket was too heavy to carry completely full and she needed to make a lot of trips to the faucet.

Though she considered her actions small and insignificant at the time, in the decades since McKinney’s story has become legend, a ray of hope in the middle of one of the darkest moments in American history.

“I knew it would get me in trouble. You couldn’t drink out of the same water fountain, much less get on the ground with people and touch them and give them water. I knew it was dangerous–I was scared to death–but I knew I couldn’t let it get in the way.”

McKinney, a 1970 Auburn graduate in secondary education, vividly recalls a fellow teacher at Phenix City Central High School bragging that he didn’t need to grade his African-American students’ papers. “He said, ‘Miss, I wouldn’t waste my time grading those papers, you ought to know by now what they’re capable of doing. I know what my students are capable of, so I’m not going to waste my time grading those papers.”

In Anniston, where the Ku Klux Klan was a constant presence, McKinney’s actions did not go unnoticed. Klan members of the community met in secret to discuss how or if she should be punished. Sticking up for McKinney, a neighbor supposedly said “I don’t see where she did anything so wrong; hell, you’d give a dog water,” which she believes ultimately spared her.

“But they had to do something, they couldn’t just let it pass,” McKinney said. “So the Klansmen would come by the store and ask Daddy if he was keeping an eye on me. ‘Oh, yes sir, right under my thumb, never let her out of my sight’.”

Life was never the same for Janie McKinney in Anniston after that. Though people seldom discussed what happened that day, hostility was still a constant factor, particularly in high school where the children of community Klansmen often confronted her in the hallway.

“People didn’t like me very much. I was smart, I made better grades than everyone else and that pissed people off. They called me ‘n****r-lover,’ they would get right in my face and hiss; you know how kids are.”

Later, in her homeroom class, McKinney noticed that students were crying over toxic grades in English class that would derail their dreams of attending college. “I said, ‘Class, if you got a lower grade from Mr. J____ than you think you deserve, please raise your hand.’ A whole bunch of hands went up. I said, ‘You have a legal right to make Mr. J____ tell you how he arrived at your grade. He has to show you, it’s his legal obligation. And I want all of you to go down there together so there will be plenty of witnesses if he tries anything,’ and they did. It was glorious,” she says now, laughing.

Currently a communications specialist in external affairs at UCLA, McKinney has been in and out of the spotlight the more her story spreads. In 1981, Charles Kurault of CBS News Sunday Morning reunited McKinney with Hank Thomas, the youngest Freedom Rider aboard the bus that day, on live TV. “It was surreal because it was so dim in my memory that I had almost forgotten about it and certainly we didn’t talk it to death because nobody talked about it.”

These days, McKinney gives class talks with junior high students about the Freedom Riders and her experience, but scoffs at people who think the era was not that bad, or not that dangerous. “They were that bad. And it was dangerous. I tell students that if they see something dangerous like that, if it’s something that’s scaring you, you don’t have to get involved. But if you get a chance to do something that you know is right, and you feel like God is putting you out there to make a difference, do it, because you’re going to have to live with your decision for the rest of your life.”

On Wednesday, Feb. 22 (4-6 p.m.) at the Dixon Conference Center of the Auburn Hotel, Bill Harbour and Charles Person, two surviving Freedom Riders, will be sharing their memories and the lessons they learned over a lifetime of fighting injustice.

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Monica Gibbs ’02: Exploring Creative Design

Monica Gibbs ’02: Exploring Creative Design

Artistic discovery leads to a career in graphic design 

Monica Gibbs photo

For Monica Gibbs ’02, creativity has been a fundamental part of life. From taking art classes as a child to her time at Auburn, it was only natural that she turn passion into profession.

After graduation, Gibbs worked as a graphic designer for the Montgomery Adviser. Despite being new to the workforce, she felt qualified for the job. “The Design program at Auburn teaches you what’s necessary for graphic design and digital design from a technical and practical aspect, but also exposes you to so many disciplines in fine art in general,” she said. “Once you are out in the real world, you realize how prepared you are to problem-solve and tackle any number of issues within the field.”

Now employed by a non-profit in Atlanta, Gibbs is a Senior Creative Designer. She oversees creative direction, does website designing, strategizes for marketing, and communicates with vendors. She is currently working on design materials for Issa Rae, actress on HBO’s “Insecure” and author of The Misadventures of Awkward Black Girl.

While Gibbs’ design style is clean and “utilizes white space” with an “emphasis on typography,” her painting style is rather different. She is inspired by music and “in viewing the art and photography of artists from older generations as they captured and interpreted events in their time.” Her art is encompassed by messy strokes of charcoal and pastels.

In the future, she hopes to become an Art Director. She also aims to “continue to give the world more art and creativity” while “helping others accomplish their dreams by contributing to the marketing and visual aspects of their goals.”

She looks up to her mother who grew up impoverished with ten siblings, but did not let her socioeconomic standing or circumstances hinder her success. She graduated high school, worked through college, and earned a Master’s degree in education. “She’s a real life Wonder Woman who also makes a peach cobbler so good it causes spontaneous praise dancing after the first taste,” Gibbs said.

She learned from her mother that “you can be anything you want to be” with the right mindset and determination. “Take initiative so you can be ready for the big opportunities when they present themselves” because success is personally made.