We’ll Perform Again

We’ll Perform Again

Thanks to some passionate supporters, a powerful Holocaust play with Auburn ties will extend its run through September

Last year when Auburn Men’s Basketball Coach Bruce Pearl accepted an invitation to attend a musical in Opelika, Ala., he and his wife, Brandy, knew little about what they were going to see. All they had heard about the world premiere of “We’ll Meet Again” was that it was about patriotism and the Holocaust, two things that mean a great deal to the couple.

“We went kind of on a whim,” Pearl said. “But that night we were treated to something we really weren’t expecting. We laughed and we cried. We enjoyed the music and the dancing. We were filled with great pride and happiness about the greatest country in the world that we love so dearly.”

The Pearls were so impressed with the show that they met with the playwright and director afterward to offer encouragement and support to see if the show could continue after that night.

“Brandy and I were deeply affected by this production,” Pearl said. “We think it is so important for other people to see it that we have partnered with the show to organize a tour.”

“We’ll Meet Again” is an upbeat, yet powerful musical set in World War II. It tells the life story of Henry Stern who, at just five years old, along with his parents and older sister, escaped Nazi Germany to move to Opelika where he lived the rest of his life.

The show was developed in part by the world-famous Barter Theatre in Abingdon, Va. after receiving high praise at the Appalachian Festival of Plays & Playwrights in 2019. After COVID halted the full production in 2020, the show finally premiered at the Historic Savannah Theatre in Savannah, Ga. for two weeks before the one-night performance at the Opelika Center for the Performing Arts.

With the Pearls leading the way, and the same cast and crew from the original performances on board, “We’ll Meet Again” will travel to towns across the Southeast during the month of September.

“We want as many middle and high school students as possible to see the performance during the day, and as many families and adults as possible to attend in the evenings,” Pearl said. “Our young people today are not being taught enough about how good this country is; this production will make them proud to be an American. The 1940s music and dancing, as well as the story, will inspire them—and anybody who sees the show.”

Tricia Skelton ’95 and Kate Gholston, teachers at Opelika Middle School, developed a Holocaust-related curriculum years ago that is taught to students in the Opelika City Schools system. They have put their lessons and activities together in an easy-to-follow format to be used by teachers in the secondary schools in the cities where the show will be performed.

Last year when Auburn Men’s Basketball Coach Bruce Pearl accepted an invitation to attend a musical in Opelika, Ala., he and his wife, Brandy, knew little about what they were going to see. All they had heard about the world premiere of “We’ll Meet Again” was that it was about patriotism and the Holocaust, two things that mean a great deal to the couple.

“We went kind of on a whim,” Pearl said. “But that night we were treated to something we really weren’t expecting. We laughed and we cried. We enjoyed the music and the dancing. We were filled with great pride and happiness about the greatest country in the world that we love so dearly.”

The Pearls were so impressed with the show that they met with the playwright and director afterward to offer encouragement and support to see if the show could continue after that night.

“Brandy and I were deeply affected by this production,” Pearl said. “We think it is so important for other people to see it that we have partnered with the show to organize a tour.”

“We’ll Meet Again” is an upbeat, yet powerful musical set in World War II. It tells the life story of Henry Stern who, at just five years old, along with his parents and older sister, escaped Nazi Germany to move to Opelika where he lived the rest of his life.

The show was developed in part by the world-famous Barter Theatre in Abingdon, Va. after receiving high praise at the Appalachian Festival of Plays & Playwrights in 2019. After COVID halted the full production in 2020, the show finally premiered at the Historic Savannah Theatre in Savannah, Ga. for two weeks before the one-night performance at the Opelika Center for the Performing Arts.

With the Pearls leading the way, and the same cast and crew from the original performances on board, “We’ll Meet Again” will travel to towns across the Southeast during the month of September.

“We want as many middle and high school students as possible to see the performance during the day, and as many families and adults as possible to attend in the evenings,” Pearl said. “Our young people today are not being taught enough about how good this country is; this production will make them proud to be an American. The 1940s music and dancing, as well as the story, will inspire them—and anybody who sees the show.”

Tricia Skelton ’95 and Kate Gholston, teachers at Opelika Middle School, developed a Holocaust-related curriculum years ago that is taught to students in the Opelika City Schools system. They have put their lessons and activities together in an easy-to-follow format to be used by teachers in the secondary schools in the cities where the show will be performed.

“There are universal lessons in this production,” said Farrell Seymore ’97, superintendent of Opelika City Schools. “It’s a message of hope. It’s humorous. It’s funny, but it’s also very meaningful and touching. I think every student throughout the Southeast—throughout America—can learn lessons from the Stern family and from the community that received them. This is a universal story that should be heard.”

Heinz Julius Stern was born to Arnold and Hedwig Stern on Sept. 4, 1931. The Sterns lived in Westheim, Westfalen, Germany—the only Jewish family in a small town. Heinz’s great-uncle, Julius Hagedorn, a highly respected owner of a department store in Opelika, and his wife, Amelia, visited the Sterns in 1936 and tried desperately to persuade them to go to America.

A year later, after selling all their belongings, the Sterns were finally ready to go. Before leaving, family members gathered at the family farm to say goodbye and to take one last photo.  From there, the four Sterns traveled to Hamburg, Germany and, along with 330 other passengers, boarded the S.S. Washington, the last ship of Jews to legally leave the country. During their trip to the United States, the children “adopted” American names and Heinz became Henry.

The family settled in in Opelika. Stern (and his sister, Lora) attended Opelika schools. He played football and basketball in high school and graduated from Clift High School (Opelika High School) in 1950. Following graduation, he served in the U.S. Navy from 1951 to 1954 and later enrolled in Alabama Polytechnic University (now Auburn University), where he walked on the basketball team and studied business administration. Stern was a partner in a department store in downtown before being named president of the Opelika Chamber of Commerce, where he spent the rest of his career. 

During all his years in America, neither Stern nor any other family members knew the whereabouts of relatives left behind in Germany. After the war, a college friend of Stern’s went to Germany to teach and took the Stern name with him to see what he could find. The news was devastating. Stern’s maternal grandmother, paternal grandparents, aunts, uncles and cousins had all been deported to concentration camps and were murdered by the Nazis. The surviving family members were sent to ghettos and spent the remainder of their lives picking up the shattered pieces.

All his adult life—for more than 50 years—Stern desperately searched for someone from his family who had survived and was still alive. Then, in the wee hours of Nov. 21, 2004, Stern got a break. A friend emailed a link to a website that tracks Holocaust victims and their families. After literally thousands of failures over the years, Stern, who never gave up hope, typed in his grandmother’s name and for the first time something came up: a Fred Hertz in Durham, N.C.

Stern waited until daylight and called the stranger. He introduced himself and told Hertz he had spent years searching for surviving family. He asked if he could email a family photograph taken in 1937, just minutes before the Sterns boarded the ship to set sail to America to see if, by chance, Hertz recognized or could identify anyone in the picture. A short time later, the phone rang. It was Hertz.

“Henry, I’m in this picture,” Hertz said.“I’m the boy on the back row.”

“There are universal lessons in this production,” said Farrell Seymore ’97, superintendent of Opelika City Schools. “It’s a message of hope. It’s humorous. It’s funny, but it’s also very meaningful and touching. I think every student throughout the Southeast—throughout America—can learn lessons from the Stern family and from the community that received them. This is a universal story that should be heard.”

Heinz Julius Stern was born to Arnold and Hedwig Stern on Sept. 4, 1931. The Sterns lived in Westheim, Westfalen, Germany—the only Jewish family in a small town. Heinz’s great-uncle, Julius Hagedorn, a highly respected owner of a department store in Opelika, and his wife, Amelia, visited the Sterns in 1936 and tried desperately to persuade them to go to America.

A year later, after selling all their belongings, the Sterns were finally ready to go. Before leaving, family members gathered at the family farm to say goodbye and to take one last photo.  From there, the four Sterns traveled to Hamburg, Germany and, along with 330 other passengers, boarded the S.S. Washington, the last ship of Jews to legally leave the country. During their trip to the United States, the children “adopted” American names and Heinz became Henry.

The family settled in in Opelika. Stern (and his sister, Lora) attended Opelika schools. He played football and basketball in high school and graduated from Clift High School (Opelika High School) in 1950. Following graduation, he served in the U.S. Navy from 1951 to 1954 and later enrolled in Alabama Polytechnic University (now Auburn University), where he walked on the basketball team and studied business administration. Stern was a partner in a department store in downtown before being named president of the Opelika Chamber of Commerce, where he spent the rest of his career. 

During all his years in America, neither Stern nor any other family members knew the whereabouts of relatives left behind in Germany. After the war, a college friend of Stern’s went to Germany to teach and took the Stern name with him to see what he could find. The news was devastating. Stern’s maternal grandmother, paternal grandparents, aunts, uncles and cousins had all been deported to concentration camps and were murdered by the Nazis. The surviving family members were sent to ghettos and spent the remainder of their lives picking up the shattered pieces.

All his adult life—for more than 50 years—Stern desperately searched for someone from his family who had survived and was still alive. Then, in the wee hours of Nov. 21, 2004, Stern got a break. A friend emailed a link to a website that tracks Holocaust victims and their families. After literally thousands of failures over the years, Stern, who never gave up hope, typed in his grandmother’s name and for the first time something came up: a Fred Hertz in Durham, N.C.

Stern waited until daylight and called the stranger. He introduced himself and told Hertz he had spent years searching for surviving family. He asked if he could email a family photograph taken in 1937, just minutes before the Sterns boarded the ship to set sail to America to see if, by chance, Hertz recognized or could identify anyone in the picture. A short time later, the phone rang. It was Hertz.

“Henry, I’m in this picture,” Hertz said.“I’m the boy on the back row.”

The boys were first cousins who had thought for more than 60 years that the other was dead. They emailed and spoke daily by telephone.

Two months later, the cousins and their families would finally meet face to face for the first time since that summer day in 1937. With television cameras rolling, the men embraced in a tearful reunion in the driveway of the Hertz home in Durham. To this family, it was much more than a reunion. It was a miracle.

Hertz passed away in early 2008 and Stern died in 2014, but now, thanks to the musical production of “We’ll Meet Again,” their story lives on.

So how did this story about a boy in Opelika, Ala. make its way to the stage?

In 2007, Anna Asbury Carlson ’15 was given an assignment in her 11th grade history class at Opelika High School. “We had to write a paper on any event in history,” Carlson said. “’Big Henry’ was a dear friend of my grandparents—he grew up right next to my grandmother—so I was very familiar with his life. I knew all about him finding Fred, so I wrote his story.”

Stern loved the paper and gave printed copies to everybody he thought would read it. Through family friends, Carlson’s paper made its way to Jim Harris in Lincoln, Neb. An attorney, actor, vocalist and playwright with Opelika ties, Harris had always wanted to write a WWII musical but didn’t have a good story line—until he read Stern’s story for the first time.

“It was such a touching story, and it really brought home a connection to Henry Stern as a person,” Harris said. “I thought by using Henry’s story as the nucleus of the play I could personalize the events of that momentous era in a way that was understandable and relatable.”

The play is indeed powerful, understandable, entertaining and relatable, but to Pearl, Stern’s story is more than that. To Pearl, it’s very personal.

“‘We’ll Meet Again’ had a tremendous impact on me because Henry’s story is also my story,” Pearl said. “My grandfather, my Papa, was able to escape to the United States when he was 11 years old, bringing his three younger siblings with him. Like much of Henry’s family, and much of Papa’s family—my family—didn’t make it. But the focus of this story is not all about the horrible things that happened. ‘We’ll Meet Again’ is more about the fact that this family came to America, were successful and their family lived on. As has mine.”

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Laser Eyes of the Tiger

Laser Eyes of the Tiger

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Deep-fried memes and peacocks: How Twitter became the digital Toomer’s Corner for Auburn fans 

What the Kentucky Men’s Basketball Twitter account tweeted on Jan. 22 quickly got more interactions than any tweet since the account was created in 2009. It was merely three words— “Final from Auburn”—plus a photo of Auburn center Walker Kessler out-jumping Kentucky forward Oscar Tshiebwe during the tip-off. Superimposed over the photo was the score: Auburn 80, Kentucky 71.

After a day, the tweet had been liked more than 2,000 times and retweeted more than 500 times. Strong numbers, but nothing special for a blueblood like Kentucky pushing a million Twitter followers. The stat that shattered the record was the number of replies.

The final score tweet for Kentucky’s previous game, a win over Texas A&M, got 50 replies. The final score tweet for their following game, John Calipari’s 800th victory, got 23.

The Auburn game got 4,153 replies.

Trolling Toomer’s Corner

It’s hard to pinpoint exactly how tweeting replies to the final score tweets of defeated Auburn basketball opponents with the garish form of images the kids call “deep-fried” memes became the post Gen-X version of rolling Toomer’s Corner.

An expert practitioner, 2015 Auburn grad @JoshDub, traced Auburn’s embrace of what had mostly been an NBA Twitter thing back to early 2020, after Auburn’s win over South Carolina. A guy named @gregoryboydd replied to South Carolina’s final score tweet with a six-second video loop of the words “You Just Lost To Bruce Pearl” superimposed over an oversaturated picture of Pearl and set to the song “Zombie Nation.”

After the next win, a few more people tweeted the same video. The win after that, a few more, plus some similarly styled originals. The embryonic Auburn artform stuck around through Covid, and the 2020-21 season, virtually indistinct from run-of-the-mill Twitter trolling. Internet memes weren’t anything new, after all. In fact, available in the official Auburn team store is a T-shirt that name checks Auburn basketball’s “social media mob,” whose most active member might be the Twitter account @AuburnMemes, started by a 2015 Auburn grad in 2012.

But in 2021, something about the in-your-face swagger of the deep-fried memes—a washed-out baby Walker Kessler playing with “blocks,” Wordle scores in the shape of an L (for loss)—began satisfying Auburn Twitter’s insatiable schadenfreude in ways traditional trash talk never had. The medium—just tweeting funny, stupid things at conquered opponents—became the message. Then, in December, something funny happened: The message became the multitude.

You got ratioed

They call it a ratio. Get way more replies to your tweet than retweets or likes? You’ve been “ratioed.” And almost every team Auburn played got ratioed.

The numbers grew, game by game—23 meme replies to Morehead State’s final score post, 35 for ULM’s and 63 for USF’s. By Auburn’s blowout win over Nebraska, it was well into triple digits. Then came conference play. More than a thousand for LSU, nearly the same for South Carolina and 1,378 for Florida.

On January 11, 2022, things went nuclear. Alabama’s final score tweet of its 81-77 home loss to Auburn received more than 4,000 replies—in less than 10 minutes. After an hour, it was more than 5,000. The sheer volume was unique in the sports landscape. Some victims of the hive-mind hijinks even began welcoming the inevitable siege with “oh boy,” “have at it,” “here it comes” in their final score tweets.

There were local stories. There were national stories. Auburn had a phenomenon on its hands.

“It really was gradual at first, but it was almost just like Auburn Twitter decided to see if we could make this a thing,” says 2012 Auburn grad @PabloEscoburner—Pablo to his friends and enemies. “Like, let’s see how many we could do.”

Pablo, arguably the movement’s tip of the spear—he and @AuburnMemes cohosted a live online tutorial on how to deep fry a meme for new initiates—has no idea how many he’s done. Must be hundreds, dozens of which were workshopped with top-tier Auburn meme makers before being launched into legend.

But his most enduring contribution is the image of fan-favorite Auburn guard K.D. Johnson, the man of 1,000 memeable faces. Pablo borrowed a close-up of Johnson, tongue out, eyes wide, shot during his Auburn’s season opener against Morehead State. On the tongue is Auburn logo. The eyes are the glowing laser-eye thing, a deep-fried meme must and the artform’s most distinct calling card.

All the players want laser eyes

“Oh, the players love it,” says 2016 Auburn grad Josh Wetzel, the man with the keys to Auburn Basketball’s social media accounts. “They’ve definitely seen it. We try really hard to build their brand and maximize their exposure, so a lot of them play into it a little even in their own social media.”

Wetzel played into it, too. Upon taking the digital media specialist job for Auburn Athletics, he’d been tasked with infusing youth and swagger into basketball’s social media strategy; meme madness was a Godsend.

“Everything that happened this season was like the perfect storm,” he said. “What was so exciting is that fans started doing this. We literally haven’t done anything besides embrace the culture.”

That embrace—from printing T-shirts to soliciting pregame memes — put Auburn in the top five of interactions on social media among college basketball programs for January and February.

“It’s made the job easy,” Wetzel said.

The only thing difficult about the new world order? Keeping up with the hourly evolution of memes.

Peacocks of the Walk

“Yeah, the whole peacock thing kind of caught me off,” Wetzel said. “I mean, as our fans jump on something, we’re not always going to jump right into it, but if it fires them up and sparks engagement, then hey.”

The official Auburn basketball twitter doesn’t have a peacock icon in its header. But Wetzel’s personal account does, as do hundreds if not thousands of other Auburn fans who embraced the flamboyant fowl as the season’s unofficial mascot, a symbol to embody Auburn hoops hoopla both on and off the court.

A meme in its own right, that particular trend and its real-world representations—stuffed peacocks at games, signs, and, yes, T-shirts—traces to an Auburn fan podcast (and subsequent blog post) in which 2008 Auburn grad Drew Crowson, the man behind “We’ve Got Jared,” the unofficial Twitter-born anthem of the 2019-20 Final Four team, insisted that Auburn fans needed to embrace the Tigers’ amazing run with bravado—“like a peacock.”

“Auburn is now on the basketball map, and this ridiculously passionate fanbase isn’t just along for the ride, we’re a part of it.”

Deep-fried peacocks with laser eyes popped up on Twitter almost immediately.

The team that NBC streaming service Peacock, per an official tweet, rooted for in the NCAA Tournament? The Auburn Tigers.

“It’s beautiful,” Pablo says. “This fanbase has been starved for basketball success for far too long. Bruce Pearl built a program that has Auburn competing with the elites, which is easy to rally around, but it didn’t happen without a lot of investment from all parties involved. This rise isn’t an accident. It’s been cultivated. It’s the building of a basketball culture through every imaginable avenue. Auburn is now on the basketball map, and this ridiculously passionate fanbase isn’t just along for the ride, we’re a part of it.”

Pablo says the one that @BasketBarner did was probably his favorite. It’s a variation on the big Captain Phillips meme—two frames from the scene in the 2013 movie “Captain Phillips” when, after boarding the boat, the main Somali pirate tells Tom Hanks “Look at me—I’m the captain now.”

Except Tom Hanks is the Kentucky logo, and the pirate is Pablo’s deep-fried K.D. Johnson, eyes glowing, tongue logo’d, delivering the message of the moment.

“I’m the blue blood now.”

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The Everything Player

The Everything Player

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Jabari Smith is the everything player at the everything school.
Jabari Smith

With the height of a center and the skills of a guard, Jabari Smith considered multiple pathways to professional basketball.

He chose Auburn.

“I wanted to experience the college life,” said Smith, a 6-10 freshman power forward on Auburn’s Men’s Basketball Team who picked the Tigers over other colleges and the NBA’s official minor league organization. “You don’t really get that college life going to the G League and different routes.”

The opportunity to attend SEC football games, interact with fellow students and begin his college education appealed to Smith. A recruiting pitch from Auburn Coach Bruce Pearl, who showed Jabari how other Atlanta metro players—such as Chuma Okeke and Isaac Okoro—thrived at his position in Auburn’s system before getting picked in the first round of the NBA Draft, sealed the deal.

“The words he said really stood out,” Smith said. “Watching their role, how much the ball is in their hands and how much freedom he lets his fours play with. It came down to the family atmosphere, the coaching staff, how much they invest in their players. That played a big part in me choosing Auburn.”

Smith wasted no time adjusting to college basketball, giving fans “a taste of everything”—as Pearl put it—in his debut: points, rebounds, steals, assists, blocked shots.

“Play the game the right way and it’ll give back to you.”

In his second game, the freshman phenom impressed again, recording his first double-double: 23 points and 10 rebounds.

“Jabari has a very advanced skillset,” said Pearl. “He’s a great jump shooter.”

A founding member of what teammates call “The Breakfast Club,” Smith arrived at Auburn Arena at 6:30 a.m. each day before the season to perfect his craft.

“We feel like going early makes you get up and push through,” Smith said. “It shows that you really want it.”

For every shot Smith shoots in a game, he’s made thousands from the same spot during practice.

“I put that confidence in me,” he said. “I’ve put in the work over the years with my teammates, my trainers and my dad.” At Sandy Creek High School in Fayetteville, Ga., Smith developed into a top-five national player in his class, becoming the highest-rated signee in Auburn history.

“My junior year was my first year of being the best player on my team. Having to lead a team. I feel like I’ve come a long way at being a leader. Being more aggressive and trying to give your team a spark.”

After graduating from high school, Smith moved to Auburn and added 20 pounds of muscle over the summer thanks to what could be called “fueling and grueling”: nutritious meals at Auburn’s Wellness Kitchen and intense workouts with Strength and Conditioning Coach Damon Davis.

“It’s making a great difference, taking bumps, being able to play with the physicality of the SEC,” said Smith, who’s listed at 220 pounds. “Feeling stronger on your shot, extending your range and how you look. It makes you feel a little better about yourself, too.”

He may be months away from becoming an NBA first-round pick, but for one season, Jabari Smith is enjoying college life and a chance to be part of a team before basketball becomes his profession.

“We love to see each other succeed,” he said. “Play the game the right way and it’ll give back to you. I’m trying to prove to everybody that I am what they think I am.”

AT A GLANCE

HOMETOWN

Fayetteville, GA

CLASS

Freshman

POSITION

Forward

HEIGHT

6’10”

1.3

STEALS

POUNDS

220

6.5

REBOUNDS

15.2

POINTS

2.0

ASSISTS

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